Tapestry in the Renaissance: Art and Magnificence
by Thomas P. Campbell, Bruce White (Photographer)
Often slighted by art historians, tapestries were actually the most widely commissioned figurative art form in Europe in the 1500s. In Tapestry in the Renaissance: Art and Magnificence, Thomas P. Campbell and other scholarly contributors survey the elaborate woven hangings produced primarily by Flemish workshops for the palaces and cathedrals of Italy and Northern Europe. The authors discuss the designers’ careers, patrons’ motives, symbolic meanings of the imagery, and stylistic features unique to the labor-intensive medium. Initially, the need to lessen skilled weavers’ workloads led designers to arrange elaborately costumed figures in manageable rows. Raphael’s cartoons (full-size drawings) for the monumental “Acts of the Apostles” tapestries, commissioned by Pope Leo X, moved the art form into a new era. Flemish designers incorporated Raphael’s spatially persuasive treatment of the figure into sophisticated narratives full of anecdotal detail. The 250 color photographs, specially commissioned for this catalog for an exhibit at the Metropolitan Museum in spring 2002, vividly illuminate the technical brilliance of these works.